IMPORTANT NOTICE : The site will be affected by essential maintenance on Thursday 5th August 2021. We apologise for any inconvenience this may cause.
  • The Artists
  • Exhibitions
  • Training
  • Resources
  • Join
  • Hubs
  • Artist development
  • News & Events
  • Support us
  • Shop
easy read Accessibility Log in
  • Outside In
  • The Artists
  • Exhibitions
  • Training
  • Resources
  • Join
  • Hubs
  • Artist development
  • News & Events
  • Support us
  • Shop
  • Menu

Artwork

Cruel Britannia

By Julia Fry

Width: 39Height: 39

From the artist:

I was thinking about the transportation of slaves from British colonies to Britain whilst making this painting. The painting consists of a found object – a broken pole – attached to the canvas with string and everything painted white. The string and pole form a shape similar to the British flag and are reflections of shipping, oppression and bondage.

The pole could represent a tool of oppression or a broken flag pole. The white represents the white oppression and also the ability to whitewash truth, which provides the state of denial necessary to keep oppression alive. If we look with acceptance at how the past is still affecting the present we can each make the changes necessary to create equality.

There are shadows formed by the strings and these represent how the past is casting its shadows onto us and how we think and act. The thing with shadows is they seem so enduring yet all it takes is for a cloud to move and the shadow changes, becomes less imposing, less imperial. The shadow is potentially there depending on the kinds of lights we choose to use. We can break up shadows in beautiful ways. We can write and email and post things until the surge captures the culture’s attention. We can shout and stamp our feet and make the noise necessary to make them look. We can march and riot and pull down statues.

The British Empire (which is the Empire I know a little about, being British) is built on a foundation of cruelty and inequality. My painting is called Cruel Britannia because we need to look at that cruelty, past and present, and own it no matter how painful it is. Then we can make real change and create societies that meet people’s needs rather than exploit them. Slavery is one aspect of inequality and I chose to focus on it because of the changes beginning to happen due to the #blacklivesmatter movement. I can see what I can do: write to my Member of Parliament to demand black histories be mandatory in the national curriculum for education, educate myself and others on anti-racism, make art to spread the word, have difficult conversations with people who say racist things. Small steps build momentum for change.

Mixed media Painting Sculpture cruel britannia abstract painting found object sculptural painting
Zoom in
‹ ›
‹

Cruel Britannia

By Julia Fry

I was thinking about the transportation of slaves from British colonies to Britain whilst making this painting. The painting consists of a found object – a broken pole – attached to the canvas with string and everything painted white. The string and pole form a shape similar to the British flag and are reflections of shipping, oppression and bondage. The pole could represent a tool of oppression or a broken flag pole. The white represents the white oppression and also the ability to whitewash truth, which provides the state of denial necessary to keep oppression alive. If we look with acceptance at how the past is still affecting the present we can each make the changes necessary to create equality. There are shadows formed by the strings and these represent how the past is casting its shadows onto us and how we think and act. The thing with shadows is they seem so enduring yet all it takes is for a cloud to move and the shadow changes, becomes less imposing, less imperial. The shadow is potentially there depending on the kinds of lights we choose to use. We can break up shadows in beautiful ways. We can write and email and post things until the surge captures the culture’s attention. We can shout and stamp our feet and make the noise necessary to make them look. We can march and riot and pull down statues. The British Empire (which is the Empire I know a little about, being British) is built on a foundation of cruelty and inequality. My painting is called Cruel Britannia because we need to look at that cruelty, past and present, and own it no matter how painful it is. Then we can make real change and create societies that meet people’s needs rather than exploit them. Slavery is one aspect of inequality and I chose to focus on it because of the changes beginning to happen due to the #blacklivesmatter movement. I can see what I can do: write to my Member of Parliament to demand black histories be mandatory in the national curriculum for education, educate myself and others on anti-racism, make art to spread the word, have difficult conversations with people who say racist things. Small steps build momentum for change.

Mixed media Painting Sculpture cruel britannia abstract painting found object sculptural painting
›
It’s Okay to Look (2020) by Julia Fry
Autumn / Winter Light (2020) by Julia Fry
Square Dots #4 by Julia Fry
Despair by Julia Fry
Wooden Heart by Julia Fry
Weird Fish by Julia Fry
Puddy Tat by Julia Fry
Square Dots #1 by Julia Fry
Seminal (2018) by Julia Fry
Insight (2018) by Julia Fry
Sunset Teardrop by Julia Fry
Constellation (2009) by Julia Fry
Reeds (2020) by Julia Fry
Triangle Lines and Sunlit Patches (2020) by Julia Fry
White Trash #1 by Julia Fry
Cruel Britannia by Julia Fry
Spring Wonderland by Julia Fry
Forming and Unforming by Julia Fry
Legal High (2011) by Julia Fry
Perceiving (2017) by Julia Fry
Rainbow (2016) by Julia Fry
Mind (2016) by Julia Fry
Protection (2016) by Julia Fry
Trees (2017) by Julia Fry
City (2017) by Julia Fry
Untitled (2017) by Julia Fry
Safety (2017) by Julia Fry

What do you think about this artwork? Guidelines for commenting Cancel reply

Your email address will not be published. Required fields are marked *

  • Accessibility
  • About
  • Contact
  • Trustees and the board
  • Funders and supporters
  • Press
  • Privacy policy
  • Terms and conditions
Arts Council England
Paul Hamlyn Foundation
John Ellerman Foundation
George Dannatt Trust
Garfield Weston Foundation
Art Fund
The Roddick Foundation
Investec
Linbury Trust

© 2023 Outside In.

Outside In is a Charitable Incorporated Organisation Registered Charity Number 1171128.

Outside In, PO BOX 810, Chichester PO19 9WF

Tel: 01903 898171

Our social media pages:

  Twitter     Facebook     Instagram

Website by Surface Impression

easy read

These options can change the way this website looks, which may help you to use it more easily.

Further information about accessibility can be found on our Accessibility page and our Accessbility statement.

Accessibility options

  • Display contrast
  • Text options

Standard contrast

Low contrast

High contrast

Standard text

Large text

Extra large text

  Artist log in

Forgotten your password?

Not a member?   Sign up

Subscribe to the Outside In newsletter

* indicates required
This website uses cookies to improve your experience. We'll assume you're ok with this, but you can opt-out if you wish.AcceptReject Read More
Privacy & Cookies Policy

Privacy Overview

This website uses cookies to improve your experience while you navigate through the website. Out of these, the cookies that are categorized as necessary are stored on your browser as they are essential for the working of basic functionalities of the website. We also use third-party cookies that help us analyze and understand how you use this website. These cookies will be stored in your browser only with your consent. You also have the option to opt-out of these cookies. But opting out of some of these cookies may affect your browsing experience.
Necessary
Always Enabled

Necessary cookies are absolutely essential for the website to function properly. This category only includes cookies that ensures basic functionalities and security features of the website. These cookies do not store any personal information.

Non-necessary

Any cookies that may not be particularly necessary for the website to function and is used specifically to collect user personal data via analytics, ads, other embedded contents are termed as non-necessary cookies. It is mandatory to procure user consent prior to running these cookies on your website.

SAVE & ACCEPT