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Artwork

First and Last

By andrea mindel

Width: 40Height: 28

From the artist:

First and Last marks my departure from making etchings.  It is a double print of the first etching plate I started in 2010, when I returned to etching after a 26 year hiatus next to the first and last plate I made using the photo-etching technique in 2012.  This image of a First World War soldier needing plastic surgery spoke to me of body dysmorphia, and the irony of how plastic surgery evolved from enhancing body functionality to empty vanity.  That McIndoe worked in East Sussex, made it even more relevant to my personal journey.

This double print juxtaposes hidden, mental disability with visual, physical disability.

“Art should comfort the disturbed and disturb the comfortable” Cezar A. Cruz

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First and Last

By andrea mindel

First and Last marks my departure from making etchings.  It is a double print of the first etching plate I started in 2010, when I returned to etching after a 26 year hiatus next to the first and last plate I made using the photo-etching technique in 2012.  This image of a First World War soldier needing plastic surgery spoke to me of body dysmorphia, and the irony of how plastic surgery evolved from enhancing body functionality to empty vanity.  That McIndoe worked in East Sussex, made it even more relevant to my personal journey. This double print juxtaposes hidden, mental disability with visual, physical disability. “Art should comfort the disturbed and disturb the comfortable” Cezar A. Cruz

›
One For Sorrow by andrea mindel
Wound by andrea mindel
I Am Not Normal by andrea mindel
Pluto in Pisces in Gauteng by andrea mindel
First and Last by andrea mindel
Work in Progress by andrea mindel
Astride the African Continent Like a Colossus by andrea mindel
Mea Culpa. by andrea mindel
Vxnxs In Repose by Goldendean Shell Pink by Andrea Mindel by andrea mindel
Vxnxs in Repose by Goldendean Jungle Green by Andrea Mindel by andrea mindel
Another One For Sorrow by andrea mindel
Mannerheim Gallery, Installation, Paris, 2017 by andrea mindel

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